Description
 Dean Friedman first marked his entry into pop consciousness with the Top 20 chart success of his infectious hit single, Ariel, a quirkily irresistible and uncategorizable pop song about a free spirited, pot-smoking, vegetarian Jewish girl in a peasant blouse who lived, as the lyric goes, “…way on the other side of the Hudson”.Friedman scored again with the release of his follow up album, “Well, Well,” Said the Rocking Chair’, and the now classic hit single, Lucky Stars. This magical duet, performed with singer, Denise Marsa, zoomed to the top of the UK singles charts, going instantly gold. Lucky Stars paved the way for a slew of Friedman hits, including familiar radio staples such as Lydia, Rocking Chair, McDonald’s Girl and Woman of Mine.
Friedman’s consummate songwriting and performing, have earned him a loyal international following, devoted to the sophisticated, funny and profound work of a master songsmith. “Stunning Musicianship” – Hot Press, “Songsmith Extraordinaire!” – Music Week , “An Amazing Talent” – The Sun, “An American Classic” – Tribune, “The Soundtrack of Our Lives” – NY Times, are just of few of the superlatives used to describe Friedman’s powerfully unique and original talent. Friedman’s recent run at the Edinburgh Fringe Festival garnered similar critical praise: “Every song in this Edinburgh show is a classic. You won’t see a better show.” – London Theatre Guide. “Sophisticated and humorous work from an old master!” Scotland on Sunday. “With his mix of jaunty ditties, sentimental ballads and bashful charm, Friedman is the pop troubadour of choice.” The Scotsman. “Dean Friedman is entirely unique and utterly brilliant” – ThreeWeeks. Though Friedman’s next single, McDonald’s Girl was officially banned by the BBC for mentioning the tradename of the fast food restaurant, the irrepressible pop song has been successfully covered by a number of acclaimed contemporary bands including the Blenders (Universal) and top canadian band, Barenaked Ladies [WEA]. (BNL member, Steve Page, sings background vocals on Dean’s recent double album.) The song has become a viral YouTube video hit, and a staple of high-school and college a capella groups, around the world – including Harvard’s Din & Tonics and Yale’s Mixed Company – spawning more than 40 different video versions on YouTube; and now, three decades after being banned, the song has just been licensed by the McDonald’s corporation to be featured in a national TV/Radio campaign:“McDonald’s Girl”. Friedman composes and produces music soundtracks for TV and film, including five seasons of Central TV’s hit series BOON and the soundtrack to the underground cult horror film classic I Bought A Vampire Motorcycle [Hobo Films/U.K.]. Other credits include Nickelodeon, NBC, BBC and FUJI TV. Despite Friedman’s apparent absence from the popular music scene, evidence that his name and music have made a lasting impact on pop music can be found repeatedly in popular media: The British band Half Man Half Biscuit released a best selling EP containing the oddly titled, The Bastard Son of Dean Friedman. (Dean emphatically denies this claim.) Friedman extracts his revenge on his CD, Submarine Races with his song, A Baker’s Tale, the hitherto untold story of Nigel Blackwell’s dubious origins. With his influence evident in the music of contemporary bands like Barenaked Ladies, the Blenders and Ben Folds Five, Friedman states, ‘It’s nice to see my music has made an impact on a new generation of artists.’ Friedman also produced and presented BBC Radio Scotland’s acclaimed radio series, ‘Real American Folk’, which has featured American Folk icons such as Christine Lavin, David Bromberg, John Prine and Steve Forbert. |
Vance Gilbert bio
Robert Mattson Photography
“If Joni Mitchell and Richie Havens had a love child, with Rodney Dangerfield as the midwife, the results might be something close to the great Vance Gilbert”, says Richmond Magazine.
Vance’s new album, “The Mother Of Trouble”, features Grammy winner Lori McKenna on background vocals, Juno award recipient and Bonnie Raitt Grammy hit song co-writer Joey Landreth on guitars, and Americana-Roots master mandolinist Joe K. Walsh. With 4 bullies, 4 deaths (3 of them murders), 3 moms, 2 accidents, 2 Black people, 2 dogs, 1 dog ball, 1 gay kid, and 1 missed flight thanks to gas station sushi, this album benefits from the gifts of time and experience honing songwriting skills that put this most vital of acoustic storytellers at the top of the game.
Oh, and Management wants to make sure to tell you that this is the 14th release for this acoustic stalwart.
30 years into his career, the songwriter’s influence can be felt all over the contemporary Folk and Americana realm as he has helped pave the way for many of the BIPOC artists who have followed.
Vance was born and raised in the Philadelphia area. Starting out hoping to be an R&B and jazz singer once at college, there he discovered his affinity for the storytelling sensibilities of the acoustic singer-songwriter thing. Word spread like wildfire about Gilbert’s stage-owning singing and playing, and Shawn Colvin invited him to be special guest on her 1992 Fat City tour where he took much of America by storm and by surprise. “With the voice of an angel, the wit of a devil, and the guitar playing of a god..” wrote the Fort Worth Star-Telegram.
Noted not only for being the ever consummate performer, Gilbert has recorded 13 albums, including 5 for Philo/Rounder Records. Along with being opener of choice for artists as varied as Arlo Guthrie, Anita Baker, The Milk Carton Kids, and Southside Johnny, the mid 2000’s found Gilbert opening 150+ shows for comedian George Carlin.
Gilbert has also been a prominent presence at some of the world’s most prestigious gatherings and halls, among them the Newport, Winnipeg, Rocky Mountain, Calgary, Ottawa, and Falcon Ridge Folk festivals, the Kate Wolf Music Festival, and Australia’s Woodford Folk and Mullum Music Festivals, Mountain Stage, Boston’s Symphony Hall, Nashville’s Lyman Auditorium, The Barns at Wolftrap, and a private party for his veterinarian where there was terrific lo-mein.
Most recently he’s been the opener of choice for Mad About You/Stranger Things star Paul Reiser’s stand-up shows (50 +) for the last 7 years, along with his own busy acoustic music touring and coaching schedule. That current schedule includes Vance’sMondayNightAcousticPajamaParty on YouTube. Having started the first week of the pandemic in 2020, Vance has played a live, themed, weekly 90 minute mixed bag of originals and cover tunes to a rotating following of about 200 folks. 10 to 20% of his weekly tip jar is donated to a local 501(c)3 of his choice. At the time of this writing, having done 155 of these shows has become newsworthy in itself.
Gilbert has been a songwriting, performance, and voice coach all around the world, kinda, from Australia to Winnipeg, at all the festivals above plus The Kerrville and Rocky Mountain Song Schools, he is currently on staff as Instructor/Professor at the University Of Colorado Denver and has a decade worth of summer programs at the Berklee College Of Music under his belt. What? Private coaching? Yes, 6-10 students weekly too.
Considered by many to be an integral part of the national folk scene, his previous record “Good Good Man” features an eclectic roster of musical types including rocker Mike Posner, world renown Celtic harpist Aine Minough, bluesman Chris Smither, and Al Green’s organist Stacey Wade.
